Slow looking, in four bodies of work.

I came to photography by accident — a borrowed camera, a quiet morning, light catching the edge of something I hadn’t noticed before. The picture turned out badly. I went back the next morning, and the morning after that. Eventually I had to admit I was no longer doing it for the picture.

The work here is what’s stayed with me from those returns. Four rooms in the same house: the landscape opens slowest, on a scale that humbles the lens. The cityscape argues with it — geometry, scaffolding, the human hand. Nature is the small wild, found in the gap between the two. Nightscape is the same world after the volume drops, when light becomes deliberate.

I shoot mostly with a Sony A7 IV and a handful of primes; sometimes a drone for the wider stories. I edit lightly. I print occasionally, and only the frames that ask to be on a wall.

If you’d like a print, want to license an image, or just want to talk about light — the contact page is the way in.